Chasing History: Exploring My Ancestral Roots - Blog Post #49
By Tonya McQuade
William Adolph Graham – or WAG as he always signed his pottery –
at work on his potter’s wheel in Calimesa, California, in the early 1970's.
Recently, my father gave me several more pieces of my grandpa’s pottery as he and my mom continue to downsize. I’ve always treasured the pottery my grandpa, William Adolph Graham, was able to create – especially since I can remember watching him sit at his potter’s wheel making some of these pieces. It amazed me to watch a lump of clay, helped by a little water, turn into a towering piece of artwork at his hands, and it’s something I’ve always hoped to learn myself someday.
One of my favorite pieces is also one of his tallest at almost 18 inches. It sits on a prominent shelf in my living room, next to two other pieces he created, atop the wall unit my father built. I love that there are family ties to so many of the pieces of furniture and artwork in our home.
Three of WAG’s vases, sitting atop the wall unit my father, Douglas Graham, built,
and in front of a row of books I also inherited from my grandfather.
William Adolph Graham was born July 15, 1911, to Henry Hunt Graham and Francis Ethel Deakin Graham in Tooele, Utah. After graduating from high school in Twin Falls, Idaho, he hopped a train to California. There, about ten years later, he met and married my grandmother, Margaret Ruth Traughber. My father, Douglas William Graham, was born soon after, followed by two more daughters – my aunts Donna and Mary.
The family moved around a lot in those early years, but by the time I knew my grandfather, he had settled in Southern California. I remember visiting him at homes in quite a few different locations there – Calimesa, Onyx, Bakersfield, and Visalia among them. It was in Calimesa, according to my father, that WAG started making pottery. He took some classes, bought himself a potter’s wheel and an electric kiln, and also made a gas-fired kiln. “He wanted to get good enough to sell it,” my father said, “but then he moved on to the next thing.”
Some of his pieces I have had for quite a while now, sitting on various shelves in my house. Apparently I need more shelves - I’m running out of space!
These three sit together on a high shelf in my dining room.
I love the etching on this one!
This one serves a utilitarian purpose: a Chip & Dip Bowl.
Some of the newer pieces have had to displace other items that were previously on display. Perhaps I will need to set up a rotation schedule for my artwork! LOL. I really do love the tea set below, though, which actually has four matching cups that go with it. It brings to mind this quote attributed to Lao Tzu: "We mold clay into a pot, but it is the emptiness inside that makes the vessel useful." I’ll have to be sure to actually USE this teapot sometime, as well as the above Chip & Dip Bowl.
And I think these are some of his prettiest vases:
This one, we use in our kitchen to hold plants:
And here’s one that can be used as a pitcher:
In putting this post together, I also learned that my father had to teach ceramics one summer, the one time he taught summer school at Antioch High School. The course included both wood shop (which he taught many times as an industrial arts teacher) and ceramics (which he only taught that one time). He had my grandfather bring his potter’s wheel to Antioch so my dad could practice making pottery for several days. He said he actually became pretty good!
My father, Douglas Graham, practices at the potter’s wheel as my brother Cam looks on.
He told me a story of one memorable lesson he had the class do – and it sounds like one they would remember! He explained the instructions ahead of time to his students. They were going to be “monks” working at a monastery making bowls, each student forming their bowl in the shape they wanted with their own hands, operating under a vow of silence.
When they walked in the next day, the students entered into a dark room filled with the sounds of Gregorian chant music. They were each given a lump of clay and a candle – the only light they would have to work by. My dad said they all took it very seriously, and no one talked. They kept their vow of silence. As he recalled, he really liked teaching ceramics because, unlike with woodshop, “there was no right way to do it.” He didn’t really like teaching summer school, though – he needed time to “follow his own bliss” – so that was the only time he taught ceramics.
My grandpa also liked to follow his own bliss. Over the years, he had many hobbies and artistic pursuits, often taking classes to learn new skills. In addition to his pottery, I have some of his paintings and pencil sketches, including an amazing portrait of an eskimo, some beautiful landscapes, and a couple of Bodie outhouses. He became fascinated by the many outhouses scattered around the well-preserved ghost town of Bodie after a visit to Bodie State Historic Park in Bridgeport, California, and he sketched quite a few of them.
Portrait of an Eskimo
Mountain Landscape
Desert Landscape
Bodie Outhouses
I love that he had such a creative spark – and I love that I now have such a great sampling of my grandpa’s pottery. My parents also still have quite a few pieces, as do my brothers and my aunts. Hopefully someday, I will be able to add to my collection with some pieces of my own. With my retirement fast approaching in June, I may finally get the chance to sign up for a pottery class. Until then, I’m happy to be able to admire and display WAG’s beautiful artwork.
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